Musa Igrek

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  • United Kingdom: Art, Palestine and The Politics of ‘Safety’

    24/4/2026

    The world is better, and more complex, when artists can speak in their own terms. But in the United Kingdom (UK) in 2025, expression about Palestine increasingly became a pressure point for artistic freedom. Under scrutiny, the space for artistic expression depends less… more ›

  • The Trap Has New Rooms: Art, Freedom and Resistance in Georgia

    25/3/2026

    In Tbilisi, exhibitions are closing. The organisations that funded them are shutting down. Artists are leaving. The dismantling of Georgia’s cultural life has come gradually, and it is not finished. Lali Pertenava watches it from the inside. A curator, researcher, founder of the… more ›

  • Lucky Star: When a Uyghur Rapper’s Voice Became a Crime

    9/3/2026

    In Chengdu, in southwest China, in late 2022, people gathered on a street by a river. Most wearing masks and dark clothing. Candles were lit. Blank sheets of A4 paper were out. Held at chest height. Raised overhead… The kind you might tear… more ›

  • Resisting Erasure: How RADAR Tracks Artistic Freedom in Southeast Asia

    4/12/2025

    Billboard ads, socks, plates, even kickboxing: are these really matters of artistic freedom? The boundary is more blurred than it seems. What is clear is that threats to creative expression rarely arrive in clean, visible lines. They move quietly. Under-reported incidents. Weak reporting systems. People… more ›

  • Same Old, Same Old: Censorship’s Quiet Routine

    1/10/2025

    Imagine a smart, cheeky report with a playful visual language. Nothing like the typical output of human-rights groups. But, its harmless-looking cover, belies its contents. Koalisi Seni, an Indonesian advocacy group for artistic freedom, has just released Cerita Lama Berulang Kembali (Same Old, Same Old). Inside:… more ›

  • Maja Smrekar: When Politics and Religion Control Women’s Bodies, They Control Art

    24/9/2025

    Slovenian artist Maja Smrekar is suing the right-wing Slovenian Democratic Party (SDS), for misusing her work – a performance in which she breastfed her puppy – during a referendum campaign on pension reforms. In a video interview from her studio in Ljubljana, she speaks with… more ›

  • Bellman Books: Selling a Favorable Image Abroad

    11/7/2025

    “In 1955, a secret unit, the Information Research Department (IRD) of the UK Foreign Office (FO) began delivery of Bellman Books around the world. However, there is no detailed research on this book series. This chapter examines Bellman Books as a form of cultural diplomacy… more ›

  • Türkiye: A Tense and Strained Landscape 

    26/5/2025

    In Türkiye today, there is deep anxiety. The media is widely distrusted by many, while the political environment grows more oppressive for those who question the government. All of this has been unfolding against the backdrop of a troubled economy – after peaking… more ›

  • Censorship of Commentary on Palestine in Germany – Art in the Crossfire: Navigating Censorship in Turbulent Times 

    5/5/2025

    “Don’t mention the war,” warns a character in Nathan Englander’s What We Talk About When We Talk About Anne Frank, as she addresses her husband. But that didn’t stop him – just as it hasn’t stopped many artists worldwide creating work on the… more ›

  • Kurdish Music: Censored and Criminalised

    3/3/2025

    On Music Freedom Day we remember the long and fraught struggle of Kurdish musicians in Türkiye. For decades, Kurdish artistic expression was systematically suppressed under a national policy that enforced a singular Turkish identity. Music, literature, cinema, and theatre in Kurdish were banned, their… more ›

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